In a retirement home for former professional musicians, a newcomer convinces some of his mates to embark on an exciting adventure that will change their lives.
Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.
In the midst of the social unrest caused by the COVID-19 pandemic, in Calpan, Puebla, there is a small corner where hope is harvested daily: the people's asylum.
Set in a geriatric extended care wing of a down-at-the-heels hospital, Getting On follows put-upon nurses, anxious doctors and administrators as they struggle with the darkly comic, brutally honest and quietly compassionate realities of caring for the elderly.
A dutiful son, a prince in his fathers' eyes, retains his purity of character despite the many challenges thrown his way.
Earth to earth, water to water. The body weight of a newborn child is up to 85 percent water, but in adulthood, the ratio can be cut into half. In a way, people dry up as they grow older. In Claudia Tosi’s documentary, people drink water, watch the rain and wait for their death. The Perfect Circle depicts a man and a woman, Ivano and Meris, who spend their final days at a hospice in the hills of Reggio Emilia, Northern Italy. Their illnesses are in the terminal stage and they know that death is only a matter of time. But the ever-nearing end may fleetingly be forgotten, like when they close their eyes and get lost in the music – until the bodies being carried out next door once again remind them of the inevitable. Death also becomes a part of life for the patients’ loved ones, who want to spend the last available moments with the soon to be departed.
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